Karen and Helene
Go Danish Folk (Gofolk), $15.00
Item Number: go-solen
Two great young, up and coming Danish singers, Karen Mose (from the band Phonix) and Helene Blum sing traditional Danish songs in new arrangements. Karen and Helene give the rich Danish song tradition a new and modern dimension. They are accompanied by an impressive group of Nordic musicians including Leo Svensson, Morten Alfred HÃ¸irup and Harald Haugaard, who also produced. Complex, subtle arrangements skirt all kinds of musical borders, enhancing but never obscuring the traditional source material.
Bulgara : Bear's Wedding
A raw mix of Bulgarian 'wedding music,' jazz, rock and folk music performed with hyper-energy by seven great musicians on kaval, gayda (bagpipe), gadulka, tambourine, electric bass, drums and percussion.
Reem Kelani : Sprinting Gazelle
Subtitled 'Palestinian Songs from the Motherland and the Diaspora' - UK born Palestinian composer and singer Kelani has spent many years recording and collecting folk songs from women in her maternal home of Nazareth, in the refugee camps of Palestine and Lebanon and elsewhere. The works on this recording include arrangements of traditional songs and her own settings of contemporary poetry. The ensemble is a mix of modern and traditional voices: piano, tenor saxophone, clarinet, bass clarinet, double bass and drums, with guests on violin, percussion, duduk, yarghul, nay and strings. Highly recommended.
Bragr : Danmarkar'n
A trio of strings and percussion, Bragr features Swedish guitarist and nyckelharpa player Perry Stenbäck, and two Danes - percussionist Christine Dueholm and Jesper Frost Bylling on acoustic bass. All provide vocals on some tracks. They blend tradtional music from regions in both countries, and make them personal and unique.
Groupa : Kind of Folk - Vol. 1 Sweden
The 2016 release by one of the most important and revolutionary groups in the Nordic roots movement. Terje Isungset, drums, perc, mouth harp; Mats Eden fiddle, viola d'amore, accordion; Jonas Simonson, flutes, bass clarinet.
Kristian Blak and Yggdrasil : The Four Towers and Heygar of Dreygar
Two suites composed in 1983 and 1985 by Faroese artist Blak and perfoemed by his ensemble.
Fairport Convention : Angel Delight
Osman, Gubara and Co : In the kingdom of the Lyre
Miriam Ariana and Lene Høst : Vingefang
From the RootsWorld Review: Can a bustling Brazilian song and Swedish slangspolska happily coexist? Can a Denmark-based duo without a squeezebox do justice to a Dominquinhos song about a sensitive accordion? The answer seems to be "yes, indeed." Vingefang - Miriam Ariana (voice and strings) and Lene Host (voice, guitar and percussion) bring a clarity to their music that seems to demand the word "delightful." Whether it is their own compositions or a journey through the music of France, Denmark, Sweden and Brazil, they make it all their own, with only a gentle bit of assistance on two tracks, and a bit of overdubbing by the duo on a few others.... Ariana and Høst seem to know the value of simplicity and use it to great advantage on these eight tunes and songs. Vingefang is a delight.
Nick Wyke and Becki Driscoll : Cold Light
Lee Blackstone writes in his RootsWorld review, "Wyke and Driscoll have produced an album of folk music that mixes wondrous chamber-pop deeply founded on a respect for traditional music and modern songcraft. Cold Light stands as one of the strongest releases of the year."
Andrew Cronshaw : The Unbroken Surface of Snow
British musician and composer Andrew Cronshaw is joined by a global enseble of Tigran Aleksanyan, Ian Blake, Sanna Kurki-Suonio.
Trio Tekke and Dave De Rose : Zivo
The trio bring along a percussionist for their third recording. Formed in London in November 2005 by Antonis Antoniou (tzouras, vocals, and a member of Monsieuer Doumani), Lefteris Moumtzis (guitar, vocals) and Colin Somervell (double bass), the band experiments with a raw, acoustic reinvention of the rebetiko of Greece and beyond.
Emicida : about kids, hips, nightmares and homework
The album arose from a specially conceived 20-day trip to Africa, specifically Cape Verde and Angola, where he worked with local musicians and recorded some of the tracks. These include “Mufete” with percussionist João Morgado, noted for his playing of Angolan ‘semba’, the roots of Brazilian ‘samba’, and “Passarinhos” and “Madagascar” where you can hear Kaku Alves, Cesária Évora’s guitarist for many years. But never forget the uniquely Brazilian component, and together with MCs from the new generation of Brazilian rap this album also includes collaborations with Vanessa da Mata on “Passarinhos” and on “Baiana”, Caetano Veloso.
Lakou Mizik : HatiaNola
Haitian roots outfit Lakou Mizik is the brainchild of singer Jonas Attis and guitarist/singer Steeve Valcourt, They brought together a multi-generational septet of some of Haiti’s best musicians to showcase the diversity of modern Haitian sounds, including konpas, kanaval songs, twobadou ballads, and vodou ritual music.Lakou Mizik returns with a barn-burner of a second act on HaitiNola; which revisits the connections between Haiti and New Orleans with a crew of NOLA musical all-stars.
Aurélie Dorzee & Tom Theuns, ft. Michel Massot : Elixir
This crafty concoction brings to mind ancient art works and faraway lands. Oriental melodies take the form of a folk dance or a medieval walk. These three alchemists brew sounds in quest of the “philomusical’s stone”. They experiment, improvise and invent in their secret laboratory filled with strange instruments, such as the viola d’amore, mandolauoto, psaltery, nail violin, sousaphone, and sitar. Some had been specially fabricated by stringed instrument makers for this project. For this project, Aurélie Dorzée & Tom Theuns invited the legendary Michel Massot, master of brass instruments, for a golden opus!
Vasilis Kostas and Petroloukas Halkias : The Soul of Epirus
Our November 2019 pick for Music of the Month. The work is the culmination of a lifelong exploration of the beauty inherent in the music of Epirus - its slow tempos, reflecting the isolated nature of this mountainous region close to Albania, and its haunting pentatonic scales, based on five notes instead of the more common seven-note scale. A collaboration between Berklee College of Music graduate Kostas on laouto and veteran clarinet master Petroloukas Halkias, the album illuminates the melodies and musicianship to be found in Epirus' folk traditions of decades past, its ability to evoke both the inescapable sadness of the human condition and its life-affirming joy.
Abdesselam Damoussi And Nour Eddine : Jedba: Spiritual Music from Morocco
Jedba shows that sufi music is not confined to mosques or zawiya (monasteries) but is an intrinsic part of everyday Moroccan life. It is music from the streets, homes, marketplace and desert. Profound, mystical, compelling, entrancing... the entire album is a journey through the heart and soul of Marrakesh. It pays homage to the spiritual music and songs of urban and rural Morocco. Authentic mystical sufi chants with real depth, at times extended into trance-like repetition through the careful and skillful arrangements of co-producers Abdesselam Damoussi and Nour Eddine. Jedba includes performances by singers and musicians as heard on the streets, in a Tangiers mosque, and features a sufi master musician from the Atlas Mountains. The resultant music is as varied as the landscapes from whence it comes, yet always remaining true to its origins. Jedba has been co-produced by two well-known Moroccan composers: jazz, hip-hop, rap, rock, world music and electronica producer Abdesselam (Abel) Damoussi and world music artist Nour Eddine, a contributing composer of the Vatican classical music archives.
Hama Sankare : Niafunke
Niafunke is the second album by Hama Sankare, legend of Mali's desert blues. It was recorded March 2018 in Bamako. Sankare brought into the studio dynamic young headliners, Oumar Konate, Dramane Toure and Makan Camara along with long time colleagues Afel Bocoum, Yoro Cisse, Kande Sissoko and Sekou Toure to forge a set of tracks that breath new energy into the genre while honoring its traditional roots. The album is named for Niafunke, a city in Mali along the Niger River, where Sankare continues to live with his family. He, Bocoum and Cisse were contemporary collaborators of Ali Farka Toure whose home was also there. They can be heard on many of Farka's albums.
SANS : Kulku
My August 2018 pick for Music of the Month is Kulku, by the quintet of musicians from Finland, England and Armenia called SANS. This is their first studio album, and incorporates a wide range of musical ideas from their own countries as well as from their wider experiences in improvised and folk music from around the world. Their mix of voices, reeds and strings seems simple on the surface, but the complexity of sounds they come forward with is as rich a musical palette as one could wish for. The ensemble is zither and winds instrumentalist Andrew Cronshaw, Armenian duduk player Tigran Aleksanyan, reeds-player Ian Blake, the Finnish singer Sanna Kurki-Suonio and singer and kantele player Erika Hammarberg (vocals, kantele). The vocal pieces are all performed in Finnish, with one exception of a song sung in Karelian, a unique cultural region on the Finno-Rusian border.
Real Vocal String Quatrtet : Culture Kin
They call themselves World Vocal Chamber Folk. String quartet, string band, vocal quartet, jaw-dropping improvising world-music collective... pick a box and Real Vocal String Quartet will think outside it, with style. RVSQ plays original songs and unique arrangements that pay tribute to music from Appalachia to Kenya to Brazil, with sparkling improvisation that impresses and moves. Culture Kin is a collaborative work artists from 8 of San Francisco's sister cities including Seoul South Korea, Osaka Japan, Abidjan, Cote D'Ivoire and Amman, Jordan.
Pauanne : Pauanne
Lee Blackstone writes, "Pauanne is a Finnish trio haunted by, as they put it, the "utterly outrageous" beliefs of the past. The delightful cover photograph of the group finds Kukka Lehto (violin), Tero Pennanen (keyboards, prepared piano, organs, and programming) and Janne Haavisto (drums and percussion) ankle-deep in snow, wearing garb that looks as it were out of some primitivistic future; modern Finnish musicians, turned by frozen water into something rich and strange. But, Pauanne are not drawing a line between what has gone before, and the lived-in present. The trio slyly point out that the "outrageous" beliefs of our forebears are still with us. You are as likely to have next-door neighbors with retrograde attitudes towards women and foreigners as you were in the past, when they might have cried out against witches and threatening invaders."
Rachele Andrioli & Rocco Nigro : Maletiempu
For these two musicians, everything they play is in profound relationship with tradition. It is something devotional, something you cannot do without. The texts of a popular repertoire seem clear and explicit at first reading, but they reveal implications and ambiguities as you go deepr. For them, there is a "Salentine melancholy" in the music. The duo draws from a succession of popular diaries, tributes to female voices and unpublished songs. They move from the traditional music of Southern Italy to Italian popular song (Gabriella Ferri, Domenico Modugno, etc) and the rest of the world (Edith Piaf, Amalia Rodriguez, Chavela Vargas). Rachele Andrioli has a voice with a deep and unmistakable timbre, that spans a wide range of the "Canzoniere," from the traditional to the contemporary, from the music of Salento to the world of French chanson, Portuguese fado and global jazz. Rocco Nigro is an accordionist and composer who, starting from the tradition of southern Italy, has explored the musical territories of tango, Balkan, klezmer and Sephardic music, searching for ways to make it contemporary and relevant without pulling up the roots.
Rinde Eckert : The Natural World
My September 2018 pick for Music of the Month is The Natural World by American composer, singer and musician Rinde Eckert. While for years he has been known for his ensemble work with some of the best musicians in the country, this album finds him in his own company, playing all the instruments, including guitars, ukulele, piano, accordion, South American wood flute, and percussion. But at the root of it all is his voice, and instrument of infinite variety and range. As he said in his interview in RootsWorld, "It does put us in a different kind of space... a wonderfully genderless space that frees us from all the attitudes that one can bring to the situation. I tend to use it when I want to jump us out of our expectations and into a liminal world."
Leyla McCalla : Capitalist Blues
The former Carolina Chocolate Drop member has come a long way in her solo career, pushing the limits of her multi-cultural background in American and Caribbean music. Capitalist Blues puts her in the songwriter mode, penning all but one song (the wonderful Growling Tiger track you se above). It includes a cast of Louisiana musicians including Shannon Powell, Carl LeBlanc, Louis Michot, Corey Ledet, as well as the Haitian musical collective Lakou Mizik, and many more. McCalla writes: "Capitalist Blues is comprised of songs that reflect my experience living in a capitalist society, where we are always expected to do more, be more, and have more. While many of these songs are drawn from my most personal experiences of motherhood, I also find myself questioning the myriad inequities of the world that we live in and how that juxtaposes our ideals in a democratic society. As a musician, I never imagined that the Capitalist Blues would make me so damn happy, and perhaps that represents the paradox of it all." - I think you will find the songs compelling, and the music unique and entertaining.
Balkan Messengers : Balkan Messengers
Renowned Balkan accordionist Neskho Neshev and a band of drums, bass and violin kick open the Balkan sound with a jazzy edge and a lot of attitude
Razia : The Road
Born in a small village in Madagascar, Razia and her music are steeped in that island nation's culture, but were also shaped by her peripatetic life around the world. Her latest album, The Road, is in a sense, a road back to her early life in the quiet northeastern village of Antalaha. Unlike her 2011 breakout album, Zebu Nation, which was more elaborately produced, The Road is principally a more intimate, acoustic set of songs, with her warm slightly raspy voice front and center. The main melodic accompaniment is a nylon-string guitar, which gives the album a breezy lilt not unlike some of the pop music of Brazil.
Hope Masike : The Exorcism Of A Spinster
Hope Masike is a pioneering singer from Zimbabwe who plays the historically male-dominated mbira (thumb piano). On The Exorcism Of A Spinster, her debut solo international release, she speaks from the heart about the country that she loves and the changing roles of women in the culture. She follows the path taken in the last century by women like Chiwoniso Maraire and Stella Chiweshe, who both defied tradition by taking on the mbira and the ritual music it represented. She also owes a debt to Thomas Mapfumo, who pioneered the instruments use in contemporary music and social action. The Exorcism Of A Spinster is a 21st century expression of the ideals of her mentors and predecessors, dealing with contemporary themes and incorporating modern sounds.
Betsayda Machado y Parranda El Clavo : Loe Loa: Rural Recordings under the Mango Tree
Betsayda Machado is one of the great voices of Venezuela. Raised in the small village of El Clavo in the region of Barlovento, her recent rural recordings with lifelong friends Parranda El Clavo brings new attention to Venezuelan Afro-Soul: 'Tambor.' A spirit-shaking percussion and voice fiesta, said to make dancers float. RootsWorld's Michael Stone writes about the power of the ensemble's "rendering of Venezuelan parranda and its uniquely local communal expression of the transcendent vagaries of the human condition. A powerful call-and-response choral group backed by a potent percussion array, versed in the tradition's dense polyrhythms and allied dance genres, the ensemble evinces palpable cultural and historical kinship with expressive forms encountered from Brazil to Cuba, Latin New York, Puerto Rico, the Dominican Republic, Haiti, Caribbean Panama and Central America..."
Philippe El Hage and Youssef Hbeisch : Asrar
My July 2018 pick for Music of the Month is a collaboration between the Lebanese born pianist Philippe El Hage and Palestinian percussionist Youssef Hbeisch. On Asrar, the two artists compose and improvise around each other in a way that is spotaneous, thoughtful and full of energy. They are joined on some tracks by singer Houry Dora Apartian-Friedli, flautist Ramy Maalouf and on one track by bassist Ognjen Beader. Here's what El Hage says about the unique collaboration of Asrar: When I recorded this project with Youssef Hbeisch, we met directly in the recording studio at Lausanne (switzerland). I did not have any previous stage experience with Youssef, but the recording process was very natural. It is only later on and after the release of the album that we played together on stage. I find the combination of piano and Oriental percussion very interesting, but also very challenging and intriguing. Youssef used a very rich setup of different percussion instrumetn, performed with a great sense of musical color (both Arabic and contemporary) and great dynamics.
Cesare Dell'Anna and GirodiBanda : Guerra
My December 2018 pick for Music of the Month is Cesare Dell'Anna and GirodiBanda's Guerra. The composer, trumpeter and bandleader is joined by thirty musicians, most of them from Puglia including members of his other ensemble Opa Cupa, with special guests from some of Italy's best bands. As George De Stefano writes in his RootsWorld review, "[the album is] an expansive offering; its eighteen tracks, in various styles and multiple languages, total more than an hour's worth of music... The record ranges widely, with Salentine idioms in the mix but also Neapolitan and other Southern Italian traditional music, Balkan, jazz, reggae, and European classical elements. It's first-rate... and will delight southern Italian music fans... whether seasoned cognoscenti or newcomers."
Ann O'aro : Ann O'aro
"To talk about it, to sing it, to make music, is to learn to think." - My November 2018 pick for Music of the Month is the stunning and challenging music of Ann O'aro from the island nation of Reunion. O'aro is a poet, dancer, singer and composer who dedicates this album to the lost and abused of her island, the victims of violence and sexual assault, incest and rape, not in a tone of hopeless despair, but in defiant survival and healing, in realistic hope. As Bruce Miller writes in his RootsWorld review, "Musically, Ann O'aro is breathtaking. Her voice is as sinewy as it is soothing, as if she needed to calm all of us so that we'd be OK. But she's also clearly insistent... if she's not showing her anger in more typical fashion- smashing things, getting into fights- she's letting it out without compromise in music that turns torture into art."
Basel Zayed's Ayn Trio : Music by Basel Zayed
Composer and musician Basel Zayed presents music with deep roots in Arabic history and Sufi culture, but through the lens of a classically trained artist and conductor, in Europe and now the United States. The Ayn Trio is his a vehicle for the expression of that global vision - Zayed on oud, buzuq, and vocals, Layth Sidiq on violin and Naseem Al-Atrash on cello. In his interview with Tyran Grillo, he says, "Since moving both to a different geographic location and a different mental and spiritual state, I have entered a new cycle in life that makes me feel more grounded, supported, and free." You can read more about Basel Zayed's music in Tyran's review in RootsWorld.
Moussu T e lei Jovents : Navega!
Michael Stone's pick for 2016, of which he writes: With Navega!, Moussu T e lei Jovents serve up an unsentimental, bittersweet melange, blues-cabaret-chanson rooted in a fiercely local Languedoc sense of place, profoundly altered by the history of French colonialism, immigration from the colonies via the Mediterranean port of Marseille dating to the ancient Greeks, Festus Claudius "Claude" McKay's 1929 novel "Banjo," labor organizing, the Socialist International, World War II and the contemporary European conundrum. Navega! was also one of RW's Music of the Month picks for 2016. Buy this CD and support RootsWorld.
Kries : Selo Na Okuke / Village Tracks
Kries makes wonderfully raw yet thoroughly modern music from Croatia. Driven by men's voices, bowed strings, primitive flutes, drums and more, this is music that speaks to centuries of history and the future, as well. This is a RootsWorld Music of the Month recording, donated by the artists to help support RootsWorld radio and magazine projects. All of your purchase price goes to support RootsWorld.
Karen and Helene : Solen
Two great young, up and coming Danish singers, Karen Mose (from the band Phonix) and Helene Blum sing traditional Danish songs in new arrangements. Karen and Helene give the rich Danish song tradition a new and modern dimension. They are accompanied by an impressive group of Nordic musicians including Leo Svensson, Morten Alfred Høirup and Harald Haugaard, who also produced. Complex, subtle arrangements skirt all kinds of musical borders, enhancing but never obscuring the traditional source material.
Teppo Välimäki : Täysin palkein
The Elvis of Finnish accordion? Real traditional roots, real energy, all solo...
Carl Erik Lundgaard : Yderland
Danish diatonic accordionist joined by a wide ranging ensemble of tradtional and modern musicians including Harald Haugaard, Mads Riishede, Christoffer S. Møller and many others. Yderland consists of primarily new material from accordionist Carl Erik Lundgaard, arranged and produced in cooperation with bassist Mads Riishede. The music is expressive, and has stories to tell, both serious and humorous.
Over Sundet : Over Sundet
The Danish folk quartet performs lyrical interpretations of Scandinavian traditional and original tunes. Over Sundet means "Across the Sound", the body of water separating Denmark from Sweden, and the name refers to the fact that much of the band's inspiration is drawn from Swedish folk sounds. The band's sound is focused on the raw power of traditional music, but weaves in classical and jazz elements. The members of the band have backgrounds in classical, folk and jazz. IT has been said: "Over Sundet represents a completely new approach to music in Denmark, and they have succeeded in transcending habitual musical thinking and traditional generic boundaries" The musicians are Siri Iversen: clarinet, bass clarine; Cecilie Strange: tenor and soprano sax; Lea Havelund: cello and Simon Busk: percussion.
The Henrys : Chasing Grace
Zephyr : October Ocean
From the review in RootsWorld: 'Görån Mansson, Jonas Simonson (from Groupa), and Richard Ekre Suzzi utilize a variety of wind instruments from Sweden and afar, such as the bamboo Bansuri flute. An all-flute trio can certainly have an ethereal sound, as the band demonstrates but Zephyr go well beyond such stereotyping and they construct compositions that indulge in world music influences. They are also a remarkably percussive group, the melodic washes are undergirded by deep tones that, combined, lend a slightly Asian air. Zephyr make a compelling and intriguing showcase for the power and universality of, and experimentation possible with, wind instruments.'
Lena Willemark : Blaferdi (Blue Journey)
Features songs and lyrics, composed by Lena, sung in the Elfdalian language of her home region of Avdalen, Sweden. Program notes and lyrics are translated to Swedish and English in the booklet. It's performed with voice, strings and percussion supplied by Lena, Mia Marin, Emma Reid, Mikael Marin, Leo Sander and Tina Quartey. (Quite a cast!) It is, I think, one of her best (and that goes a long way, I think), so this comes with my biggest "highly recommended" gold star on it
The Henrys : Quiet Industry
The 2015 release by Toronto legends, The Henrys. Led by kona-guitarist Don Rooke, with Hugh Marsh (violin), John Sheard (pump and electric organs), Andrew Dowling (acoustic bass), David Di Renzo (percussion) and vocalists Gregory Hoskins and Tara Dunphy. This one is heavy on lyrics and introduces a great new singer to the band. Highly recommended.
The Henrys : Desert Cure
Back in print! The third disc from this Toronto combo firmly establishes Don Rooke as one of acoustic guitar's greatest unsung heroes. Rooke is a startling original who seems constitutionally incapable of resorting to slide cliches.' - Guitar Player
The Grasslands ensemble and Daniel Ho : Between Prairie and Sky
Daniel Ho, Hawaiian ukulele master with more than 100 recordings, teams up on this gentle gem with Wu Judy Chin-tai, a Taiwanese music composer and producer, and the multi-talented Mongolian Grasslands Ensemble for an album that connects across cultural divides. Read the RootsWorld review
Mats Eden (composer) : Apple Blossom
An album that focuses on Mats Eden as composer, with 16 performances of his pieces played by a variety of artists in a number of styles from folk to classical to contemporary art music.
PONK : Diedina
The 3rd album by this remarkable Czech trio of cimbalom (Eduard Tomastic), violin (Michal Krystynek), and double bass (Jakub Nozicka). Lee Blackstone wrote in RootsWorld: "...another confident, unique statement from a band that likely has more surprises in store for adventuresome listeners." Read the review and listen to some music
Sabil : Zabad, l'ecume des nuits (Twilight Tide)
The duo Sabil is Ahmad Al Khatib ('ud) and Youssef Hbeisch (percussion). On this album, they are joined by Elie Khoury on bouzouki and Hubert Dupont on acoustic bass in an exploration of Arabic music and modern composition and improvisation. This was a RootsWorld 'Music of the Month' recording in 2017. These CDs were donated by the artists and record label, and all proceeds go to support the magazine and radio program.
Monsieur Doumani : Grippy Grappa
This Cypriot band Monsieur Doumani has been making quite a name for itself both at home and abroad in the last 6 months. They take the sounds of their native Cyprus and put it through a blender - making the music both more accessible to a new audience, while also respecting the roots, keeping them healthy and growing. They blend a serious sense of tradition with a cutting social satire and a playful wit. Antonis Antoniou (tzouras), Angelos Ionas (guitar) and Demetris Yiasemides (wind instruments) are musical bandits steal whatever they can and forge it into something all their own, enveloped in a smoky haze of poetry and sharp musical arrangements. The purchase of this CD is for a donation to support RootsWorld, the magazine and radio show of the world's music.
Lakou Mizik : Wa Di Yo
The band was formed by musicians young and old from Jacamel, Haiti after the earthquake of 2010. Their brand new recording is titled Wa Wi Do 'You Tell Them - We Are Still Here.' Says band member Steeve Valcourt: "We have nearly lost everything - but we'll never lose our culture." This is a RootsWorld 'Music of the Month' selection for 2016, donated by the record label to support the magazine. (The bar code has a small mark over it to indicate it was donated.)
RAM : Ram 6: Manman M Se Ginen
These rhythms don't walk alone. They come with melodies and songs and spirits and knowledge. They come with rituals. says Richard Morse, leader of the Port au Prince band RAM. The Haitian ensembles 6th album is a fine piece of work, fusing local instruments and rhythms with contemporary enrgey and politics. This is a RootsWorld 'Music of the Month' selection.
Ponk : Postfolklor
This trio brings together Czech, Slovak and Moravian folk lore with a contemporary acoustic touch. At the heart of the band is the hammered dulcimer or zither known as the cimbalom, a tool common to many eastern European traditions. But musician Eduard Tomastík pushes the instrument into a new range of more modern sounds, carried by the vocals, bass and violin of bandmates Michal Krystynek and Jakub Nozicka. This is a RootsWorld 'Music of the Month' selection, and helps support the radio program and magazine.
Karl Seglem : Laerad
This is Karl's first goat horn (only) album, recorded over three years with a host of artists accompanying him on everything from ancient instruments to modern electronics.
Ferhat Tunc : Kobani
Ferhat Tunç is the kind of singer, rare in today's popular data stream, who must bear witness to the politics of his art in everyday life. Despite having been persecuted, sentenced, and jailed for his sonic activism, if not also because of the infractions inflicted upon him by his own government, Tunç has persevered in focusing his attention on those who have, less fortunately, paid with their lives. Recorded in Istanbul and Oslo, and mixed at the latter city's famed Rainbow Studio by master engineer Jan Erik Kongshaug, Kobani is Tunç's deepest mission statement yet.' - Tyran Grillo, RW
A RootsWorld 'Music of the Month' recording.
Solju : Odda Aigodat (New Times)
Ulla Pirttijarvi is familiar to many who follow the music of this part of the world, having forged a long career in both folk and art music circles, bringing the voice of the Sapmi people to the world. Her daughter adds a more contemporary voice to the mix on this new album, Odda Aigodat (New Times), where they are also joined on some tracks by throat singers, percussionists, cello, bass and some keyboards, and members of the Czech National Symphony Orchestra. At the heart of it is always the sound of the unique and mesmerizing vocal technique called joik and songs in the Sapmi language. They present raw, primal folk chants, gorgeous folk songs and some outer-fringe new sounds throughout the recording.
Darshan : Raza
A RootsWorld Music of the Month selection. Inspired by the mystical poetry and songs of Judaism, Brooklyn based Darshan breathes new life into ancient Hebrew and Aramaic texts. With a deep interest in the connection between music, poetry and their own religious experiences, rapper Eden Pearlstein (ePRHYME) and singer Basya Schechter (Pharoah's Daughter), joined by a stellar ensemble, turn classic texts and traditional prayers into contemporary arrangements that reach into the past and pull it into a world of pop, folk and jazz. (Read more and listen here)
Florida Memory : 2 CDs of Florida folklife
Three CDs of blues, folk and gospel from the Florida Folklife Collection. This set of CDs was donated by State Library & Archives of Florida in support of RootsWorld. All proceeds go to support the magazine and radio program.
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